The PAYPA Board

We advocate for the TYA Sector.

The PAYPA board and charitable trust was established in 2019 by Tim Bray, QSM,  Lynne Cardy,  Kerryn Palmer, Marianne Taylor and Jenny Wake, to unite the TYA sector and champion performing arts for/by/with children and young people.

The board currently meet regularly via zoom and once annually in person. The following individuals are the current board members of PAYPA.

  • Kerryn Palmer

    PAYPA Director

    Kerryn is a Wellington-based freelance director, producer and teacher of drama. She has a PhD in devising theatre for and with young audiences. Since 2015 she has taught regularly in Te Whare Ngangahau- Theatre & Performance Studies at Te Herenga Waka(Victoria University.) She is the coordinator for the MFA (Creative Practice) in Theatre at Victoria University and producer of the annual Six Degrees Festival.

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  • Lynne Cardy

    Independent Practitioner

    Lynne is a creative producer, director, and programmer with 35 years’ experience in professional theatre. She has worked throughout Aotearoa and in the UK as a theatre-maker and teaching artist, supporting creative collaborations and championing the voices of young people. Lynne is committed to creating inclusive, dynamic programs that foster imagination and bring people together and she recently took up the new role of Artistic Director at Capital E's National Theatre for Children. For over a decade Lynne was the Associate Director at Auckland Theatre Company where she designed their highly regarded creative learning program, including the Mythmakers touring project, produced over 30 original works for young audiences, and supported the career development of emerging artists.

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  • Sacha Copland

    Java Dance Theatre

    Sacha Copland is the artistic director of Java Dance Theatre. She founded Java after graduating from the NZ School of Dance in 2003. Sacha dances and choreographs prolifically, touring to Singapore, Australia, China, South Korea and the UK. Sacha was awarded the 2019-21 Creative NZ Choreographic Fellowship and recently made the critically acclaimed Artisan Series. She has performed and produced 23 seasons of Back of the Bus, a dance show on a moving bus, all over the world.

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  • Talia-Rae Mavaega


    Talia-Rae (she/they) is a Sāmoan theatre practitioner based in Ōtautahi Christchurch. Since graduating from the Pacific Institute of Performing Arts (PIPA) in 2015, she has worked in theatre as an actor, deviser and director across Aotearoa.

    In recent years, Talia-Rae has worked as a Performer/Facilitator and is currently a Co-Director for THETA's Sexwise programme, a national secondary school tour that enables Young People to engage in conversation about sexuality and healthy relationships through applied and devised theatre.

    Talia-Rae has toured primary schools nationally with Duffy Theatre's scripted shows, and also in the Canterbury region with The Court Theatre, with shows that were devised by herself and castmates using Sāmoan fāgogo and other Pasifika myths & legends.

    Talia-Rae is passionate about taking theatre to the people, and using theatre to transform any space into a living platform to tell our stories. In her other life, Talia-Rae is a first time mum to a Leo Sun and caregiver for her 90 year old grandfather. 

  • Heather Richardson -Treasurer

    Heather has been the Chief Financial Officer for The NZ Catholic Education Office since 2016.She has over twenty years of experience in financial reporting and assurance, including as a senior audit manager for Deloitte NZ, and as financial controller for a large Canadian public company. Heather is a keen arts supporter and holds several voluntary roles within the community.

     

  • Regan Taylor

    Regan Taylor

    Ko Ruahine ōku maunga pae

    Ko Makaretu te awa

    Ko Tākitimu te waka

    Ko Ngāti Kahungunu ki Tāmaki-nui-a-rua te iwi

    Ko Regan Taylor tōku ingoa.

    Regan Taylor is a Graduate of The UCOL THEATRE SCHOOL. He has been working professionally as a Director, Actor, Theatre maker and Tutor for the past 23 years with various companies within Āotearoa.

    More recently directing the Te Reo Māori Touring seasons for Takirua Theatre.

  • Jenny Wake

    Calico Young People’s Theatre

    Jenny Wake is the founder and artistic director of Calico Young People’s Theatre, specialising in professional theatre for young audiences and in theatre with young performers. She is a writer, director, producer and educator, with an MA in Children’s Theatre and a career encompassing theatre, television and museum education. She directed and produced best-loved children’s TV series Play School and has created and toured professional theatre productions to schools throughout New Zealand. Currently Napier-based, she works with primary schools around the North Island, providing resources and support for whole-school productions.

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  • Hannah Wheeler

    Hannah is the General Manager and Producer for Cubbin Theatre Company. Trained at the National Academy of Singing and Dramatic Art in Christchurch, she began her career as a professional actor and has worked with The Court Theatre, Christchurch. Hannah developed the role of Shadow Thief for LATT Children’s Theatre, based in Seoul, South Korea. Whilst based in London, Hannah sang with the Fourth Choir performing in Europe and the UK. As a performer for Cubbin, Hannah has created Up and Away, Play Play, Me and My Nana and Cubbin’s album ‘Cubbin Music – Songs for children under 5’. Hannah lives in Christchurch and is a mother to Winnie (4 years) and Lilian (2 years) and is passionate about telling stories for the very young. Hannah is a board member of PAYPA – Performing Arts and Young People Aotearoa, the New Zealand arm of ASSITEJ.

  • Jamie Yee YAP Leader

    Jamie Yee is currently studying towards a conjoint BA(Hons) in Theatre and LLB at Te Herenga Waka - Victoria University of Wellington. Jamie sees theatre as a vessel for accessible and universal storytelling. He is currently the director of Encounter - a show at BATS as a part of the Six Degrees Festival. Encounter explores the experience and identity of early and modern Chinese New Zealanders in Aotearoa by way of a narrative walking tour through Wellington’s historical Chinatown. Combining his two interests in law and theatre, Jamie is passionate about arts governance and is excited for the opportunity to make change in the Arts while on the PAYPA Board.

Working Groups

In addition to the PAYPA Board,  there are seven key working groups involving  TYA practitioners/PAYPA members.

Songs of The Sea. Capital E National Theatre for Children. Photo Stephen A’Court.

Recognition and Valuing

How do we raise perceptions of the value of TYA and ensure performing arts companies and practitioners working for/with children and young people are valued, celebrated and fairly remunerated?

Tasks Include: engaging with funding bodies and mainstream media, as well as tertiary institutions to encourage emerging artists to consider TYA as a rewarding career choice. The curation and application of  the annual Peter Wilson Award for Excellence in TYA.

Youth Participation

How can we engage with tamariki and rangatahi to inform and inspire us, and to ensure that they are at the heart of the work we do? How can PAYPA support the work of youth theatre practitioners and companies?

Tasks Include: establishing a PAYPA youth advisory panel and investigating the possibility of PAYPA acting as a partner and umbrella organisation for a Youth Theatre network run by and for youth theatre practitioners.

Professional Development

What practical steps can we take to promote and inspire excellence in TYA?

Tasks Include: workshops, mentoring, practical guides and other resources. 

Access and Inclusion

How can we ensure that every tamariki and rangatahi in Aotearoa have access to high quality performing arts experiences, regardless of nationality, ethnicity, cultural identity, religion, gender, sexual orientation or disability, and despite economic, social, geographical or other barriers?

Tasks Include: dialogue and partnerships with other organisations such as festivals, venues, schools, government agencies, Arts Access Aotearoa, etc. 

PAYPA Funding & Administration

What do we need to do to ensure PAYPA’s ongoing welfare and viability? How can we support other TYA organisations to become financially sustainable?

Tasks Include: working with funding organisations and identifying potential sponsorship opportunities.

PAYPA Board Members- Beth Barclay, Lynn Cardy, Tim Bray

ASSITEJ

How can we make the most of our affiliation with ASSITEJ? –

Tasks Include: exploring the possibility of hosting an ASSITEJ Executive Committee meeting and bidding to host an Artistic Gathering or World Congress. Also includes ensuring PAYPA is represented at other ASSITEJ events and meeting our obligations as New Zealand’s National Centre for ASSITEJ.

 Connecting

What avenues can we use to connect TYA artists and practitioners with each other, for support, dialogue and inspiration? What avenues can we use to promote the work of PAYPA members beyond the PAYPA community?

Tasks Include:  newsletters, website, online calendar of events, social media, Zoom hui, sharing of New Zealand and international news and opportunities, mentoring and other ways of actively supporting each other as a community of artists and practitioners. Also includes identifying and reaching out to practitioners not yet engaging with PAYPA, with a particular focus on South Island, regional, Māori and Pasifika engagement.

We welcome any members who would like to contribute to our working groups. Please click the button below to express your interest.